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Subjects Operas -- Excerpts -- Vocal scores with piano. Songs High voice with piano. More like this Similar Items. Allow this favorite library to be seen by others Keep this favorite library private. Save Cancel. The eighth notes of piano accompaniment continue throughout the whole piece with the sense of unrelenting sorrow.
Set in two stanzas, the poem praises the delightful spring, eulogizes the faithful friendship, and praises the beautiful countryside. The melody is mostly diatonic in nature, except for the chromatic part in middle section, which is an astonishing modulation for the pure diatonic phrases in the beginning. The whole piece is simply a description of enjoyment of nature and the company of good friends.
It is a story about Riccardo the duke who is a beloved leader, but is surrounded by conspirators. He is secretly in love with Amelia, the wife of his closest friend and loyal minister, Renato. Unfortunately, Renato interrupts a meeting between Amelia and Riccardo and, assuming they are already involved in a love affair, he furiously joins a conspiratorial plot to assassinate Riccardo.
At the mask ball, just before Riccardo is about to leave, Renato stabs Riccardo. Volta la terrea fronte alle stelle is an aria sung by Oscar, a teenage boy who serves as the page of Riccardo. His friend, Ulrica, is a fortune-teller who has foreseen the future of Riccardo and his death at the hand of his best friend.
However, Riccardo refuses to believe the prediction. Thus, Oscar sings this aria in defense of Ulrica. The aria has two stanzas and the vocal line is quite virtuosic, vividly showing a fearless, energetic teenage boy.
The accompaniment is steady and simple and serves to showcase the coloratura melodic line. A group of contemporary English songs comprise the next set of the program. There are many versions of the song, however, the most famous one is set by John Jacob Niles, and has become one of the most beloved of American Folk songs. It is strophic song with 4 verses; the texts of the first verse and the fourth verse are the same.
The Black Dress is a quite interesting but also heart breaking folk song. Instead of telling a story in first-person perspective, the story is told by a narrator who could be a little sister or close friend of the girl referred to in the song, describing about she was abandoned by a young man that she thought was faithful but turned out to be a cheater. This strophic song has five verses in different texts.
Why do they shut me out of heaven? In the final phrase the angry question returns with a high vocal outburst, however the piano accompaniment is impassive and emotionless in the postlude, as if the outburst has never happened.
The next section is a Chinese song of farewell dating back to the Tang dynasty and composed by Yue Fu. Qin ge is actually a genre and based on poem by one of the most famous poets from the late Tang dynasty, Wei Wang.
The poet is on the way to send off his close friend to assume his duty in a far away place. The distance and the inconvenience of travel probably means that they may not see each other again.
Thus, it is a song filled with sorrow of parting and is describing the morning raindrops, the tenderly green willow and the toasting wine no more. This song was made possible by a government music institute, which collected folk music, edited and created new music for royal families in ancient China. It is set tonally in the Chinese national five-tone mode. It has three stanzas and the piano accompaniment imitates the sounds of the ancient Chinese instrument GuQin.
The entire piece exudes a sentimental emotion. His family insists that he marry a young titled girl despite his firm rejection. Linda mistakenly took that as betrayal, and collapsed in grief. However, the kind village prefect sings songs to wake her up and the two young people finally get back together.
This aria is sung in the first act, when Linda arrives late at their favorite meeting place and finds out she missed her beloved Carlo. Despite the disappointment, she sings of her enthusiastic love for Carlo.
The aria has three verses, with the same texts but with many additional ornaments and fioratura as the emotion becomes more and more excited and passionate. It finally reaches the climax with a dramatic cadenza in a sparkling vocal display, which splendidly ends this delightful aria. My recital program encompassed a number of different genres form oratorio and operatic arias to songs. Being varied, the repertoire presented a number of different technique challenges, from virtuosic coloratura schemes to complex rhythmic patterns and gorgeous legato lines.
As in all music, these works express the degree of emotions we all experience from love to loss. My recital was a significant performance experience for me and forced me to be communicative in a wide varieties of styles. You agree that CSUN ScholarWorks may, without changing the content, translate the submission to any medium or format, as well as keep more than one copy, for the purposes of security, backup and preservation. You represent that the submission is your original work, and that you have the right to grant the rights contained in this license.
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